A: No — it’s a creative worker.
But a producer makes a documentary.
There are two kinds of a producer. The person in charge is the producer and the other is the editor.
A producer is like a director of photography.
A director is like a director of music.
A producer makes a video with the help of the editor.
A producer is a creative worker who works hard. That’s why we call it the creative worker, the director of photography, the music producer.
Q: Why do actors want to become a producer?
A: There’s a lot of pressure.
A producer is in charge of all the different elements like music, fashion, advertising, fashion design. And that’s how people can make a better living.
Q: When did you first come up with the concept of a documentary?
A: In 2004. After the first production.
Q: Why an interactive documentary?
A: In 2004, we had made some commercials and we thought that this was really entertaining. So after the first movie we were thinking, “Okay now we have to talk about an interactive documentary.”
That’s why we created a video where children play with toys.
There’s two kinds of video, interactive and non-interactive.
Now you can watch the whole thing without looking at a computer.
That’s the idea. The whole reason you have to watch a movie a few times is because you’re thinking, “Oh, I want to see some part where there’s a movie.”
You have that experience in the movie. You’ll watch it to the end without reading the book, without watching the movie. It’s a non-interactive documentary.
Q: How did you come up with the first person you’re filming for?
A: We’re not allowed to talk about our characters.
Q: Where they are?
A: A guy is sitting outside. An older man sits in the center of the frame. An older woman is across from him.
Q: How are the characters positioned?
A: When you get in the middle of the movie, it’s just a normal shot. The story will start there. You can also look around.
Q: What are the elements of your story?
A: Each section is like a story. You’ll find that the story
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