No matter how accomplished you are, filmmaking is not about making money. It’s about learning how to make good movies, and that’s a skill that can be mastered without a film degree.
It’s also worth noting that the education we provide to filmmakers is in most cases no longer applicable in today’s market. It has become harder and harder to find great filmmakers without a degree — that is, to create better movies.
So why can’t film schools teach film? The main reason is fear. Directors and other artists are worried that getting to know themselves will make them think that they can make great movies, and that they will have to study film.
I believe such fears stem from a common misunderstanding: the idea that film has traditionally been a field in which young people should work alone; that it is easy to make movies without paying rent or buying a camera; that if you do not understand film, you will make poor movies.
None of those things are true. I know this because that is literally what the filmmakers I have talked to said to me. That is why I am writing this post.
Why do you have to study film? You already knew it was a course that isn’t going to get you anywhere.
You have two choices: 1) Learn how to make movies in the classroom or 2) Take up filmmaking as your passion.
But do you really want to take up filmmaking just so you don’t have to have to work in a classroom?
If you decide to quit film school and move into filmmaking, know this:
You can do it, and you will have a better chance of making the movie than the teachers of your former subject.
You will also learn more about how to make movies. You will know more about what it is to make a good movie. You will be able to spot mistakes quicker, you will know how to use your camera and what not to. It might sound weird, and it’s not. I’ll get to why at the end.
So here is a little guide to help you get started, and learn the skills you need to become the next great filmmaker:
What is a successful film? Let me tell you an awful lot. The answer is everything, and I don’t mean an awful lot. Not even a tiny bit. Everything is different.
Why doesn’t everyone get that? Because all filmmaking is different, and each filmmaker has their own unique approach (and sometimes
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